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Josh Bell-

Josh Bell

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About Josh Bell

Josh Bell is a freelance writer and movie/TV critic based in Las Vegas. He's the former film editor of Las Vegas Weekly and the former TV comedies guide for About.com and has written about movies and TV for Vulture, Polygon, Inverse, New Scientist, Crooked Marquee and more. He's a member of the Critics Choice Association, the Television Critics Association, and the Las Vegas Film Critics Society, and has archived 2,000-plus reviews at Rotten Tomatoes.

On the airwaves, Josh reviews movies weekly in Las Vegas on KTNV Channel 13 and Highway Radio, and he co-hosts the podcast Awesome Movie Year with comedian Jason Harris. His favorite movie of all time is Heathers. Follow him on TwitterFacebook and Letterboxd.

Latest Articles

Adam Driver as Enzo Ferrari 1
REVIEW: Michael Mann Delivers a Compelling But Uneven Biopic in Ferrari

Ferrari's narrative feels a bit shapeless at times, but director Michael Mann delivers a mostly engaging meditation on masculine power and insecurity.

Drama All of Us Strangers 1
REVIEW: Drama All of Us Strangers Offers a Quiet, Affecting Meditation on Grief

The lasting effects of grief are the central theme of All of Us Strangers, a quiet, affecting movie about one man reaching out for human connection.

Jon Hamm in promotional artwork for Fargo Season 5 1
REVIEW: Fargo Tells a More Focused Crime Story in Its Solid Fifth Season

Noah Hawley's TV adaptation of Fargo has proven unexpectedly durable, and there's still plenty to keep viewers interested in its fifth season.

it's-a-wonderful-knife-header 1
REVIEW: Horror Movie It's a Wonderful Knife Can't Quite Live Up to Its Premise

It's a Wonderful Knife is best when riffing on its goofy mash-up and less successful when it makes an earnest attempt at dealing with trauma.

A Murder at the End of the World 1
TV
REVIEW: A Murder at the End of the World Delivers a Layered, Intriguing Mystery

The central mystery is sometimes slow-moving, but A Murder at the End of the World offers enough related intrigue to keep the audience interested.

The four detectives of Bodies 1
REVIEW: Netflix's Bodies Is an Engrossing Adaptation of the Mind-Bending Comic

With four separate but interweaving narratives, Bodies always has new avenues to explore, even when the plot only moves forward incrementally.

Kelsey Grammer's Frasier sits by a piano and smiles to the camera 1
REVIEW: The Paramount+ Frasier Revival Delivers a Charming Old-School Sitcom

The dedication to an old-school format gives Frasier a certain retro charm, and anyone who misses multi-camera sitcoms should find Frasier refreshing.

Demian Salomon and Ezequiel Rodriguez investigate the mysterious in When Evil Lurks 1
REVIEW: When Evil Lurks Offers an Intense, Terrifying Take on Demonic Possession

Argentinean writer-director Demián Rugna's powerfully unsettling horror film When Evil Lurks is not for the faint of heart or faint of stomach.

Kiernan Shipka and Olivia Holt discover something nasty in Totally Killer 1
REVIEW: Totally Killer Is a Fun Take on 1980s Horror

Horror comedy Totally Killer is colorful and upbeat, with an amusing high-concept story that's just fast-paced enough to keep from falling apart.

Hadley Robinson is troubled in Appendage 1
REVIEW: Hulu Horror Movie Appendage Has Fun Practical Effects in a Weak Story

The one-note allegory about a monstrous manifestation of the protagonist's anxieties and fears wears thin. Here's CBR's review of Appendage.

No One Will Save You  1
REVIEW: No One Will Save You Is a Tense, Well-Crafted Alien Invasion Thriller

No One Will Save You filmmaker Brian Duffield knows his alien movies and knows how to use those familiar elements for his own ends.

Krapopolis 1
REVIEW: Dan Harmon's Krapopolis Is More Mildly Amusing Than Innovative

Krapopolis isn't a masterpiece, but it's a fun and entertaining animated comedy that should fit in perfectly with Fox's long-running animation lineup.

Satanic Hispanics 1
REVIEW: Satanic Hispanics Is a Satisfying Latino Horror Showcase

As a showcase for a group of underappreciated Latino horror filmmakers, Satanic Hispanics accomplishes its goal. Here's CBR's review.

Hilary Swank processes her grief in The Good Mother 1
REVIEW: The Good Mother Unevenly Balances Crime Thriller and Character Drama

The Good Mother is awkwardly positioned between drama and crime thriller, with strong aspects of both that don't quite fit together.

Kiah McKirnan takes charge of her fellow students in Perpetrator 1
REVIEW: Perpetrator Delivers a Strange But Effective Coming-of-Age Horror Story

Filmmaker Jennifer Reeder focuses on delivering a vibe, and the impressionistic Perpetrator doesn't hinge on shocking twists or intricate plotting.

Gayle Rankin wields a chainsaw in Bad Things 1
REVIEW: Queer Horror Movie Bad Things Gets By on Its Unsettling Vibes

Director Stewart Thorndike excels at creating haunting imagery, making Bad Things consistently creepy even as it devolves into surreal incoherence.

Marin Ireland conducts an examination in Birth/Rebirth 1
REVIEW: Birth/Rebirth Delivers an Effective Twist on the Frankenstein Story

Birth/Rebirth is a twisted story about motherhood, with two seemingly opposite protagonists who are both invested in a little girl's resurrection.

Emilia Clarke and Chiwetel Ejiofor go to counseling in The Pod Generation 1
REVIEW: The Pod Generation Squanders Its Intriguing Sci-Fi Concepts

Director Sophie Barthes offers a strikingly designed future world, but The Pod Generation's storytelling is never as compelling as its design sense.

Justin H. Min and Sherry Cola get into trouble in Shortcomings 1
REVIEW: Shortcomings Delivers a Satisfying Adaptation of Adrian Tomine's Comic

Director Randall Park's Shortcomings retains the acerbic wit of Adrian Tomine's graphic novel. Here's CBR's review.

Nicolas Cage and Joel Kinnaman share a moment in Sympathy for the Devil 1
REVIEW: A Fully Committed Nicolas Cage Carries Sympathy for the Devil

Even when Sympathy for the Devil's narrative falters, Nicolas Cage's enjoyably bonkers turn as a mysterious carjacker is always mesmerizing to watch.

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